Path and Inspiration
My practice is informed by Korean Buncheong ware, though I aim to interpret rather than replicate these traditions. I draw on my own cultural context, combining a passion for textile design and the natural world to develop a distinctive visual language. I see my work as being part of the ongoing and evolving Anglo-Oriental ceramic dialogue.Process and Practice
I work primarily in stoneware, a strong, durable material well-suited for functional use in the home. Each piece is wheel-thrown and decorated with coloured slips and underglazes, then fired in an electric kiln. I emphasise the fluidity and plasticity of clay through gestural brushwork and mark-making.
